Eli Wewentxu & Indré Jurgelevičiūtė + Sary Moussa

Sary Moussa is a musician who has been an active member of Beirut's underground scene for around two decades. Specialising in sound design and textural experimentation, Moussa's work spans drone-driven electro-acoustic compositions to dance-floor electronics.

Informed by his evolving relationships to space, listening, and resonance, his album "wind, again" is a colourful harmonic tapestry of fluttering sounds that are inspired by the histories its instruments carry. Wild with life, Wind, Again places these instruments in a contemporary context, creating maximal soundscapes through a minimal touch. Ambience is built from layers and layers of glistening instrumentation. Pads, drones, and electronics weave with wind and string and percussive instruments to paint a vast electro-acoustic landscape. Its stuttering flourishes of sound reveal glimpses into a larger picture held just out of view: of ecosystems proliferating beneath soil, of seeds carried on strong winds to new ground. At the eye of the storm, Moussa provides gentle solace from the swirling sounds.

Mapuche artist, Eli Wewentxu, is based in Chomio - Wallmapu.

He trained as a violinist from an early age and studied in various locations throughout Latin America and Europe. Eli works in musical composition, audiovisual creation, and collecting sound archives from the territory to which he belongs. He participates in various artistic and educational projects in Wallmapu that seek to create spaces for reflection and emotional processing in the face of the current political and environmental crisis, proposing listening as a daily practice of dialogue with the living environment.

He released his album/book "Narraciones de un Retorno" on 2024 with Other People label, which he was presenting in his tour in Latin America in collaboration with Nicolas Jaar on 2025.

He currently lives in his community in Gülumapu, near the city of Temuco, where he also works the land and cares for animals.

Indrė Jurgelevičiūtė is a kanklės player and singer from Lithuania, based in Belgium. Often performing solo or as part of Merope—her long-standing collaboration with Belgian guitarist and electronic artist Bert Cools— weaving together elements of folk, ambient and electronics, their albums released on Stroom and granvat. Indrė’s creative collaborations include works with artists such as Shahzad Ismaily, Eli Wewentxu, Jessika Kenney, Surya Botofasina, Laraaji, Gyða Valtýsdóttir, Solo Cissokho.

June 16, Eli and Indré released “Después de llover” on Stroom. The album is about musical conversations between two people who have only recently met; they come from very different places, do not speak the same languages, and perhaps have little in common other than the resonance of their instruments. This encounter leads them to explore an imaginary world where they share sounds to build a place where they can go and play with the moisture of the plants growing in the water, listen to the pudus playing with the herons, rest on the floripondios, and perhaps stay there waiting for the rain to return.

Their album was recorded on a summer day in 2025 at Indrė’s home with kanklės, txompe and violin.